For fans of alt-history intrigue in the vein of Thomas Pynchon, Warren Ellis’ Cemetery Beach has your number. If you’ve ever wondered what would happen if a secret military-industrial cabal figured out space exploration in the 1920s and secretly colonized a planet, this book aims to answer all of your burning questions. Equal parts post-steampunk and 1984, Cemetery Beach, illustrated by Jason Howard, paints a bleak, mysterious world, ruled by a mysterious fat bald man with literary pretensions. By way of a prisoner interrogation we get a tantalizing slice of exposition as far as the powers at play and the gap in technology, and after a prison break, we find our hero knows very little more about the target of his intelligence-gathering mission.
Zombie stories often explore the theme of economic inequality, and the human cost of might makes right. Kirkman’s story has been dropping hints of the seething unrest beneath the veneer of civility in the Commonwealth. The arc feels both timely and timeless, and many Charlie Adlard’s illustrations look like the front pages of newspapers the world over. Kirkman has inserted Michonne directly into a discussion of exactly how high a human cost society comes with, especially one that clings to the active disenfranchisement of people. Michonne (without her sword) is forced to defend her new way of life by defending a gang of murderous police enforcers. The event is the match that lights the fire Kirkman has been building for the last few issues, just in time for Rick Grimes and Governor Milton to arrive back from their diplomatic mission of goodwill to a world in flames.
After four separate investigations into Wolverine’s whereabouts that surprisingly fell short on excitement and any major revelations, fans were left with a series of Dead Ends. While Marvel may have been trying to elevate a bad pun with the four Hunt For Wolverine stories, what we’re left with is still a pretty bad pun. Thankfully, Charles Soule (Darth Vader) brings the loose threads together to make a really satisfying read, that, honestly, we could have arrived at sooner than sixteen issues. Regardless, Soule brings menace, whimsy and some old-school world-wide conspiracy arch-nemesis reveal with Soteira. Persephone, via holographic projection, threatens the future of the mutant race just so Iron Man, Daredevil, Kitty Pride and all other parties interested in Wolverine back off.
In which Cassidy is such a vampire, Tulip gets a gal-pal, and Jesse’s power is compromised.
The Star Wars side of Marvel has been steadily dropping breadcrumbs for the last several months for some major revelations. It started small, then worked up to the before and after of the rebellion of Mon Cala, and now seems poised for some of the biggest revelations about the Star Wars saga outside of the films. Vader has previously been implicated as the flashpoint for the events of Rogue One, and thus, the destruction of the Death Star. Between that and developments in Doctor Aphra, his intransigence seems to be a constant. Charles Soule’s brewing something strong, and the 20th issue is a potent taste of Vader truly becoming the menacing ebony death machine fans were treated to in Rogue One.
In which we are reminded of Cassidy’s complicated past.
Exciting news Arrowverse fans! The CW has announced that both Superman and Lois Lane will…