Scream Review
Do you like scary movies? Even if you don’t, there’s no denying that Hollywood loves them. Scary movies are one of the oldest film genres in existence, and one of the most resilient. Right when it seems like the genre is going to peter out, a new film appears that reminds everyone why sometimes it’s fun to be scared. Case in point, in 1996, the legendary Wes Craven teamed up with screenwriter Kevin Williamson to give us a new kind of slasher film. A film that not only celebrated horror, but also poked fun at its flaws. That film was Scream, and it is one of the best slasher flicks ever made. And it did all this by being fully aware of what was happening and relying on meta-commentary.
Say what you want about being meta these days, but when Scream came out in 1996, this was probably pretty ground-breaking for a horror film. These days, Ghostface is considered an iconic slasher villain alongside Jason Voorhees, Leatherface, Michael Myers, and Candyman. And while I normally stay far away from the horror genre, spooky season compels me to dive right in, with Scream being one of my favorite rewatches every October.
So, why not review it?
I’m RJ Writing Ink, and welcome to the first in my three-part review of the first three Scream movies. Why only three? Because for the longest time, Scream was a trilogy, and I think it works best as such.
Scream is Meta to the Extreme
If you haven’t seen any of the Scream movies, there’s only thing that you really need to know to get what it’s about: it’s self-aware. When Kevin Williamson wrote the screenplay for Scream, he knew he had to set it apart from other slasher. At that point, slasher films had been run almost into the ground, with Hollywood milking big names like Halloween, Friday the 13th, and Nightmare on Elm Street raw. People were so sick of watching fictional people make dumb decisions that anyone with a brain would avoid. And with Wes Craven having seen Freddy Krueger get overused, he was probably more than happy to help Williamson with making Scream break the mold. And it shows that during its opening prologue.
Red Herring 1
From the moment that Drew Barrymore appears on-screen as Casey Becker, she’s set up to be a red herring. No one would think that a big-name actress would be brought into the film just to die in the prologue. Yet Scream does just that, because it knew that this is what would get the audience invested in what would happen. If someone people thought could serve as the final girl is already dead, then there’s no telling who else could be on the chopping block. As it turns out, plenty of people! But as previously stated, the difference between Scream and other slasher films is that in this world, slasher movies exist.
The Rules of Horror Movies
The name-dropping of other famous horror movies isn’t just for the sake of referencing them in Scream. Since Friday the 13th, Halloween, and other slashers exist in this universe, the main cast of characters is not only fully aware of them, but has led them to become genre savvy. That means the smartest characters like Randy are able to look at what’s happening and realize that Ghostface is trying to play out a horror movie in real life. Thus, the only apparent way to win is by following the sacred rules: no ***, no beer or drugs, and no saying you’re going off alone. By following those rules, people should be able to survive.
Yet since Scream had to stand out, that also meant that it had to subvert expectations by breaking some of the sacred rules. And also do things that other slashers hadn’t done until then, like having two killers. Which is a pretty creative way to play with how slasher villains have supernatural powers.